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IRAJ, AHDIEH, Paymon Dar Aseman (4-Gah)
This taraneh (song) is sung by IRAJ and AHDIEH in the 4-Gah scale.

IRAJ, Aghd-e Asemani (Taraneh, 3-Gah)
This song is sung in the 3-gah scale. It starts with a beautiful play of clarinet that is unique. It also, shows the incredible ability of Iraj in singing fast songs and mixing them with avaaz.

IRAJ, Golhaye 420 (4-Gah)
Golhaye Rangarang #420 is in the 4-gah scale sung by Mahasty and Iraj and orchestrated by Parviz Yahaghi who is also the violin player in this piece. This is the portion sung by IRAJ. The Mahasty portion will be uploaded if requested. It must be uploaded separately due to time limitation

IRAJ, Gol-haye 431 (Mahoor)
Gol-haye 431 by IRAJ is sung in Mahoor scale(dastgah) along with Habibollah Badi'ee playing violin. I am not sure who plays santour with him.

IRAJ, Ahd-e Javaani (Taraneh, 4-Gah)
This is an early 1350s taraneh in 4-Gah by Iraj.

IRAJ, Naaz-e Faribandeh (Homayoon)
IRAJ has sung this song (avaaz) in Homayoon Scale without any accompanying music.

IRAJ, Golhaye 543-1, Seema Beena (Homayoon)
Golhaye 543-1: In this first part, Seema Beena sings in Homayoon, followed by a mix of violin and tarr chahar-mezrab. In parts 2 and 3 Iraj completes the program. The Complete IRAJ portion, is in just 543.

IRAJ, Sham- O-Gol -O- Parvaneh (Taraneh, 4-Gah)
This taraneh by Iraj is in Chahar-gah scale. The added images may somewaht state what the song is to reveal. Enjoy!

IRAJ, Shakheh-Gol 225-A (Bayat -e Tork, Nay Only)
Part A of the 28-min Shakheh-Gol 225: This part contains Nay only. I do not know who has played this relaxing Nay piece. Part B has Nay and Tarr and toward the end of Part B, IRAJ sing one verse of this program. The rest is sung by IRAJ in Part C.

IRAJ, Barg Sabz 267 B (3-Gah)
This is the continuation of Barg Sabz 267A in 3-Gah sung by IRAJ anf Santour played by Varzandeh.

IRAJ, Barg Sabz 173 (Dashti): Part One
Barg Sabz 173 is song in Dashti Scale(Dastgah) and Habibollah Badi'ee plays the violin. Ther is a Part Two to this.

IRAJ, Barg Sabz 220 (Afshari) Part 1
This is Part 1 of Barg Sabz 220 that IRAJ has sung this piece in Afshari Scale (dastgah). I am not sure if the Tarr (similar to guitar) is played by Jalil Shahnaz, Majd, or another musician.

IRAJ, Barg Sabz 220 (Afshari) Part 2
This is Part 2 of Barg Sabz 220 that IRAJ has sung in Afshari Scale (dastgah). I am not sure if the Tarr (similar to guitar) is played by Jalil Shahnaz, Majd, or another musician. (more)

IRAJ, Naghsh-e Gonah (Taraneh, Shoor)
This a a part of a 15-minute persian music. I do not have all of it. Iran's Radio used to offer "Iranian Music in 15 minutes" in which there was a couple of lines of avaaz in the middle and the same piece of slow song at both ends. This is the slow song piece of one of such 15-min. programs by Iraj in Shoor. Enjoy!!!

IRAJ, Dashtestani (A part of Shoor scale)
Dashestani sounds to be "goosheh ie az Shoor." I am not certain who plays tarr with Iraj, possibly Shahnaz.

IRAJ, Barg Sabz 173 (Dashti): Part Two
Part Two of Barg Sabz 173 that is sung in Dashti Scale(Dastgah) and Habibollah Badi'ee plays the violin. Ther is a Part One to this.

IRAJ, Boro Dar ro Va Kon, Taraneh (3-Gah)
This is one out of many many taraneh's by IRAJ. He sung this taranah in 1349 Khorsheedi. It is in 3-gah scale. It shows the versatility in IRAJ's singing. The part that he says: "Shab keh meesheh,.... Choon hameesheh...." is very difficult to mimick, not that other parts are easy!!!

IRAJ, Golhaye 543-3 (Homayoon)
This 543-3 is sung by IRAJ in Homayoon alog with violin and tarr. This is the continuation of Part 2. In Part 1, Seema Beena sings. The complete IRAJ portion is marked as 543. If you are specially trying to learn avaaz in Homayoon, this is a great sample. Enjoy!!

IRAJ, Shod Az To Rosva Del -e Man (Bayat-e Tork)
This a brief portion of Golhaye Rangarang #358 in Bayat-e Tork.

IRAJ, Gol-haye 526 "Arefaneh"(Esfahan) See Notes:
The third verse says:" Khorsheed-e May ze Mashregh-e Saaghar Toloo'e Kard." may be interpreted as: The Sun rose from the East of the Globe(the celestial sphere, the sky). Here, a resemblance is made between "Saaghar" (a glass that holds wine) and the globe of sky, specially at sunrise that becomes redish or "Gol-goon" , like red wine.

IRAJ, Khazaan -e Na-moradi (4-Gah)
This must have been a film song because I did not hear it from Iranian radios during Shah's time. Any way, Iraj has sung it in Chahar-Gah scale. CHahr-gah scale has pieces (Ghoosheh ha'ee) that requires high-pitch singing. Enjoy the music!

IRAJ, Barg Sabz 176-1 (3-Gah)
An earlier work of Iraj in 3-Gah scale. The violin sounds like Badi'ee's, but am not sure. Enjoy!!!

IRAJ, Golhaye 464-2 (Iraj, Seema Beena, 4-Gah)
This is Part 2 of Golhaye 464. This part is mainly sung by Seema Beena in Chahar-gah scale. Enjoy!

IRAJ, Barg Sabz 168-3 (Shooshtari)
This is Part 3 of Barg Sabz 168 continuation of Parts 1 and 2. Only Iraj and Badi'ee participate in this piece, and the scale is Shooshtari.

IRAJ, Shakheh-Gol 456 (Esfahan)
Iraj sings Shakheh-Gol 456 in Esfahan scale alog with Setar (more than likely) played by Ebadi. The poem is by Emaad -e Khorasani.